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Hank Mobley

Hank Mobley, International Jazz Figure

Hank Mobley, a jazz saxophonist of international stature who played with the leading musicians of the day and made his greatest impact as a member of the Miles Davis group in the 1960s, died Friday. He was 55 and had lived in Philadephia since 1972.

Born Henry Mobley in Eastman, Ga., he moved to the Newark-Elizabeth, N.J., area in childhood and studied music privately. Early in his career he played with the Paul Gayton orchestra and other regional bands.

As a tenor saxophonist, his most important associations in jazz were with the Horace Silver and Art Blakey groups in the 1950s and the Davis aggregation the following decade.

Later he was the co-leader of combos with Lee Morgan, Kenny Dorham and Cedar Walton. In 1967-68, he toured Europe, making appearances in London, Paris, Munich, Rome and other cities in Poland, Hungary and Yugoslavia.

Among the many musicians in his ken over the years were Dizzy Gillespie, Max Roach, Slide Hampton, Wilbur Ware and Philly Joe Jones. He played recently at the Angry Square on New York’s 7th Avenue.

He was the composer of a number of jazz tunes, including "Breakthrough," "The Morning After," A Caddy for Daddy," "The Dip" and "Straight Ahead."

Survivors include his father, Otis Rogers; his stepmother, Lillian O. Rogers; and two aunts, Jenethel Cooney and Rosa Boyer. Friends may call from 6 to 8 p.m. Friday at the Johnson Funeral Home, 46th Street and Woodland Avenue. Burial will be Saturday at Mount Lawn Cemetery, 84th Street and Hook Road, Sharon Hill, Delaware County. -Philadelphia Daily News, June 4, 1986. Used by permission.

 

"I had a conversation with Hank Mobley before he died. Hank was a very prolific writer, but most of his songs were in different publishing companies, they’re all over the place and he just didn’t know how to get his money, even though he really needed it. At the end of his life, Hank was homeless; he was living in the Amtrak station in Philadelphia." -saxophonist Gary Bartz, from the September 1995 edition of Jazz Times. Used by permission.

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