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| Farm girl, Seward County, Nebraska, 1938. Photo by John Vachon. |
In
a 1964 interview with Farm Securities Administration photographer Arthur Rothstein, published in the Archives of American
Art Journal, he was asked: “What one factor about Americans could more or less sum up an American quality?”
Rothstein replied: “I found that a kind of individualism existed among the people, and inability to conform, desire
to be the master of their own fate. Americans don't do what you expect them to do. Each man is an individual, and
the one thing I found in traveling through the United States was that every man and every woman was different. They all come
from different backgrounds and different nationalities. There was no homogeneous quality about Americans, and it was a fascinating
experience to learn this.”
From
the Library of Congress website:
"Unique in their scope and richness, the Prints
& Photographs collections today number over 13.6 million images. These include photographs, fine and popular prints and
drawings, posters, and architectural and engineering drawings. While international in scope, the collections are particularly
rich in materials produced in, or documenting the history of, the United States and the lives, interests and achievements
of the American people."
Among the millions
of photos on the Library of Congress website are the Depression-era collection taken for the Farm Security Administration, the
Office of War Information collection taken during World War II, and the National Photo Company collection of Washington,
DC-area people and scenes. There was a political and social purpose to these pictures. But many years later, they have
become the best record we have of what people looked like, living their lives in the first half of the 20th
century, and what the American vernacular landscape looked like as well. In many cases, the people in these photos were not
identified by the photographers, leaving us with an enormous picture album of anonymous members of the American family, and
a treasure chest of unfinished stories.
And so begins my new project to identify some of the unnamed subjects and find out what happened
to their lives and the lives of their descendants in the second half of the 20th century. In some cases, I will
be researching people who were identified, but about whom we know very little. In addition, I will contribute an occasional article inspired by one of the photos.
My Lewis Hine Project
has become a nearly all-consuming effort, so the last thing I need is a new project. But like the photo of the lovely
farm girl above, I find these old pictures irresistible, and my curiosity insatiable. Click the link below to see a gallery
of photos I am currently researching.
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